“BIG FISH THE MUSICAL”
AUDITIONS

Our most current audition dates will be listed here along with any information concerning roles, rehearsal and performance dates and any audition requirements.

Auditions are Sunday the 9th and Monday the 10th of November at The Keeton.


Music and lyrics by Andrew Lippa and book by John August

Directed by Aaron Gray
Music Directed by Ian Mannino
Choreographed by Andrea Campbell

Auditions at The Keeton Theatre

“Big Fish the Musical”

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Auditions: Sunday, November 9th and Monday, November 10th from 6:00pm-9:00pm at The Keeton.


The Keeton Theatre, 108 Donelson Pike Nashville 37214.


Please come prepared to sing 32 measures of a song in the style of the show (tracks or sheet music, no a cappella). There will be cold readings from the script. Everyone will learn a short dance combination, and some will do a short tap combination as well.


To sign up for the day you’ll audition, visit
here.


All roles are open, and we would love to see a diverse cast.

If you have any questions, please email the director at aaroncgray45@gmail.com

SYNOPSIS

Based on the celebrated novel by Daniel Wallace, Big Fish tells the story of Edward Bloom, a traveling salesman who lives life to its fullest…and then some! Edward’s incredible, larger-than-life stories thrill everyone around him—most of all, his devoted wife Sandra. But their son Will, about to have a child of his own, is determined to find the truth behind his father’s epic tales. Overflowing with heart and humor, Big Fish is an extraordinary musical that reminds us why we love going to the theatre—for an experience that’s richer, funnier and bigger than life itself.

Music and Lyrics by Andrew Lippa (The Addams Family and You’re a Good Man Charlie Brown), and Book by John August (screenwriter of Big Fish, Corpse Bride, and Charlie and the Chocolate Factory – to name a few.)

Character Breakdown

EDWARD

(25-45, Baritone B2-A4)

The heart of the story – a larger-than-life figure whose charm, imagination, and relentless optimism have shaped the world around him. He brings wonder to everyday life through fantastical tales that blur truth and fiction – not to deceive, but to make sense of the world. Beneath his charm is a man grappling with morality, legacy, and connection. Must balance humor, youthful energy, and mature emotional weight. Appears at various stages of life.

SANDRA

(25-45, Soprano G3-E5)

Edward’s wife. Warm, bubbly, and full of light – she matches Edward’s enthusiasm while also keeping him grounded. Her grounded optimism brings balance to Edward’s wild imagination. Her joyful spirit creates a striking contrast with her moments of vulnerability. Must be able to navigate both comedy and deep emotional vulnerability. Appears at various stages in life.

WILL

(20-30, Tenor, C#3-D4)

Edward’s son. Intelligent, logical, and emotionally guarded. He struggles to reconcile his father’s fantastical stories with the truth. A grounded realist who grows emotionally as he uncovers who his father really is. 

YOUNG WILL
(8-12, Tenor B3-C5)

The child version of Will. Curious, smart, and wary of his father’s tall tales. Requires some singing and strong acting.

JOSEPHINE
(20-30, Mezzo G3-C#5)
Will’s wife. Open-hearted, curious, and emotionally grounded. She encourages Will to see the beauty in Edward’s stories and serves as an empathetic guide towards their reconciliation. 

KARL THE GIANT
(20-50, Bass A2-D3)
Edward’s best friend. An Outsider – misunderstood, shy, and socially awkward – but he’s full of heart and is fiercely loyal. A gentle giant with surprising emotional depth. This role will be performed on stilts. 

AMOS

(30-60, Baritone C2-F4)

Eccentric and theatrical ringmaster of the circus, who also turns out to be a werewolf. Big energy, physical comedy, and charisma are key. 

THE WITCH

(20s-50s, Mezzo F3-F5)

A mystical, powerful figure who shows Edward a vision of his future. Haunting and wise, with commanding stage presence. Big dance and movement required. 

DON PRICE

(25-40, Baritone C3-F#4)

Edward’s childhood rival. Loud, competitive, and rough around the edges. Comedic timing and physical energy are key. 

ENSEMBLE
Ensemble members will play multiple roles including townspeople, fantasy creatures, circus performers, and more. Strong singers, dancers, and character actors are needed. Even if you are just one of the three!

If you have any questions, please email the director at aaroncgray45@gmail.com

Listen to the songs from the Broadway cast recording at:

https://www.youtube.com/watch?v=QG7C_7Db5n0&list=PL5rKaZN7xmYOkqCRTJKHuhbo4iLtlxqA4